Devolver Digital's New Ape Out Trailer Shows Us A Colorful Symphony of Destruction

Game Informer News Feed - Thu, 12/06/2018 - 19:20

Cymbals clash when you throw a guy out the window. Colors splash on the screen like Jackson Pollock himself is tossing paint onto the canvas. Devolver Digital's latest top-down shoot'em up appears to be a colorful symphony of destruction if the game's latest trailer is anything to go off of.

Following an orange-colored ape as it ascends an elevator, the trailer shows you picking up guards to be used as human shields, blowing away people with shotguns and just generally painting the walls with the blood of your enemies as you make your escape in gameplay reminiscent of Hotline Miami 2: Wrong Number. Every foe that you dispatch is synced with frenetic jazz music, making the mayhem as rhythmic as it is brutal. And with art by Bennett Foddy of Getting Over With Bennett Foddy, the game's violent, kaleidoscopic aesthetic looks like it'd fit right with Devolver Digital's wheelhouse.

To witness all the beautiful carnage yourself you can check out the trailer below to see how Devolver Digital's next top-down shooter is shaping up. 

Categories: Games

Artifact Review - Play Your Cards Right

Gamespot News Feed - Thu, 12/06/2018 - 18:25

Taking nods from a number of design elements endemic to traditional trading card games and combining those with the flexibility and ease of digitized play fields, Artifact brings a uniquely compelling twist to the TCG formula. The bulk of this comes from Valve’s tentpole franchise of late: Dota 2. Artifact remixes many of the core ideas, focusing on the essentials of MOBAs to bring new layers of tactical complexity to great effect. Establishing a broad number of possibilities allows for near-limitless experimentation and development of new and complex styles of play.

Those unfamiliar with the free-to-play behemoth, Dota 2, and its competitors (League of Legends, Heroes of the Storm, etc.) won’t need much additional context, but a grasp of the basics can go a long way. As with standard MOBAs, you’ll have three lanes that you share with your competitor. Monsters, heroes, creeps, and items all get funneled into one of these passages and are pit against one another. Each of you will vie for control of all three in succession, starting from left to right, marshaling what forces and powers you can to overpower your opponent and topple the tower sitting at the end.

In essence, the lanes act like as distinct play areas, though you do share a hand across them. Besides that, though what happens in one lane stays there. To win, you’ll either need to claim two of the three lanes, or manage to bring down your foe’s “ancient,” which appears only after you’ve taken a lane.

These basics are sticky to explain, but mercifully, pretty easy to grasp once you see them in action. Artifact offloads a good chunk of its calculations to computers, allowing it to be a lot more complex than a traditional card game. By taking some of that extra grunt work off of you, it broadens the possibility space beyond anything comparable. Because any number of monsters or heroes can be in each lane, it's possible that you’ll end up with 10 combat rounds or more across three lanes in a turn. That sounds like a lot, but Artifact offers up battle previews, detailing what will happen if you don’t respond. Likewise, the playable cards in your hand will glow a gentle blue, so you can save time and consider the ramifications of the play instead of burning your thoughts attempting to figure out what you even can play on top of what effect it would have.

Play proceeds in a series of rounds, where you’ll pass over each lane and resolve whatever relevant cards in sequence. Between each, though, you’ll have a chance to buy items and equipment to help in the next go around. Each creep you take down yields one gold, whereas an enemy hero yields five. Neither are necessary objectives in themselves, but creeps and heroes guard the towers, so most of the time you’ll need to be chipping away at them anyway, and the extra payout is a useful bonus that will--on occasion--affect which lane you choose to press through and when.

In truth, there’s a litany of micro-decisions like those that Artifact relies on to build itself into a fully fledged and shockingly nuanced trading card game. The fineries of play will take quite some time to master, and not because they are obtuse or particularly convoluted, but because of the tension between where, how, and when you choose to play. It can be to your advantage, for instance, to make one big push through a single lane if you don’t believe you can spread your forces effectively enough to nab two. But, even then, you’ll still need a capable defense to prevent your towers from being overrun.

All of this is covered in the tutorial, but developing a genuine sense of the game takes quite a while, simply due to the nature of its play. Normally this would be a positive trait, and the fact that learning nuances over time is encouraged is a helps create a satisfying, growth-oriented style of play. But that clashes a bit with Artifact’s pricing structure.

Buying the game gets you a starting deck as well as several booster packs to round out your starting set. But from there, you’ll either need to trade and sell cards on the real-currency marketplace to fill out your decks, or compete incredibly well to win them. Competing would be fine, too, but the number of matches you need to win and the rewards you get from there are scant enough that most new players will need to put in some extra cash.

The fineries of play will take quite some time to master, and not because they are obtuse or particularly convoluted, but because of the tension between where, how, and when you choose to play.

This has been helped somewhat by the post-launch addition of a free draft mode (previously it had been behind a paywall). Here you can play all you want and experiment with whatever cards come up in the draft. Players looking to build their actual decks, though, may be disappointed. I say may because the market’s prices are extremely variable, shifting quickly as the market gets more and more rare cards and the metagame evolves. It isn’t clear, however, at this stage, what developer Valve will be doing in terms of restricting card rarity to keep prices stable down the line--or if there are any such plans at all. It may be that in two weeks’ time, competitive decks are dramatically cheaper to field. As it is, Artifact is dramatically cheaper than high-end Magic or Hearthstone, but it may feel less welcoming to passive fans who want to avoid any significant financial investment.

In aggregate, though, Artifact works far more often than it doesn’t. While the volatility of the market is one thing, play on its own is more challenging and engaging than many of its contemporaries. Play moves remarkably fast, too, shuffling between the lanes and then back to the start sometimes in under a minute. It’s a lot to keep track of, but it’s put together well enough and propped up by enough card playability hints and subtle calculations that it rarely ceases to delight.

Production and animation help a good chunk with that, too. Play will frequently shift between the board as a whole and the specific play space on which you’re focusing. Between lanes, though, you’ll have a fluttering imp that manages your deck, carrying it seamlessly to the different play areas between rounds. They don’t affect play, only adding to the aesthetic presentation of the game and the visual language of how your deck and hand move across the board to each miniature arena, but they’re a nice touch. Similarly, the crack of a spell or the soft trickle of the stream that runs the length of the board are engrossing touches that bind the field together and give the game an added visual flair.

All-told, Artifact is a capable reimagining of modern trading card games. It plays quite a bit differently than just about any of its contemporaries--digital or not--and while the marketplace is volatile to say the least, there’s little evidence that the pricing is straight-up predatory. Just note, however, that the game is not free-to-play and be prepared to spend some additional bit of money coming in. It would be nice to see some more extensive options for those wanting to play by themselves or in non-competitive settings, but beyond that, Artifact is a great showing.

Categories: Games

Super Smash Bros. Ultimate Review In Progress

Gamespot News Feed - Thu, 12/06/2018 - 13:00

The idea of what the Super Smash Bros. games are, and what they can be, has been different things during the series' 20-year history. What began as an accessible multiplayer game also became a highly competitive one-on-one game. But it's also been noted for having a comprehensive single-player adventure, as well as becoming a sort of virtual museum catalog, exhibiting knowledge and audiovisual artifacts from the histories of its increasingly diverse crossover cast. Ultimate embraces all these aspects, and each has been notably refined, added to, and improved for the better. Everyone, and basically everything, from previous games is here--all existing characters, nearly all existing stages, along with the flexibility to play and enjoy those things in different ways. Super Smash Bros. Ultimate is a comprehensive, considered, and charming package that builds on an already strong and enduring fighting system.

If you've ever spent time with a Smash game, then you likely have a good idea of how Ultimate works. Competing players deal damage to their opponents in order to more easily knock them off the stage. The controls remain relatively approachable for a competitive combat game; three different buttons in tandem with basic directional movements are all you need to access a character's variety of attacks and special abilities. There are a large variety of items and power-ups to mix things up (if you want to) and interesting, dynamic stages to fight on (also if you want to). You can find complexities past this, of course--once you quickly experience the breadth of a character's skillset, it allows you to begin thinking about the nuances of a fight (again, if you want to). Thinking about optimal positioning, figuring out what attacks can easily combo off of another, working out what the best move for each situation is, and playing mind games with your human opponents can quickly become considerations, and the allure of Smash as a fighting game is how easy it is to reach that stage.

Complexity also comes with the wide variety of techniques afforded by Ultimate's staggeringly large roster of over 70 characters. Smash's continuing accessibility is a fortunate trait in this regard, because once you understand the basic idea of how to control a character, many of the barriers to trying out a completely new one are gone. Every fighter who has appeared in the previous four Smash games is here, along with some brand-new ones, and the presence of so many diverse and unorthodox styles to both wield and compete against is just as attractive as the presence of the characters themselves. In fact, it's still astounding that a game featuring characters from Mario Bros, Sonic The Hedgehog, Pac-Man, Metal Gear Solid, Final Fantasy, and Street Fighter all interacting with each other actually exists.

On a more technical level, Ultimate makes a number of under-the-hood alterations that, at this early stage, seem like positive changes that make Smash feel noticeably faster and more exciting to both watch and play. Characters take more damage in one-on-one fights; continuous dodging is punished with increased vulnerability; fighters can perform any ground-based attack, including smash moves, immediately out of a running state; and short-hop aerial attacks (previously a moderately demanding technique) can be easily performed by pressing two buttons simultaneously. Refinements like these might go unnoticed by most, but they help define Ultimate's core gameplay as a tangible evolution of the series' core mechanics.

A number of Ultimate's more superficial changes also help Smash's general quality-of-life experience, too. Some make it a more readable game--additions to the UI communicate previously hidden elements like meter charges and Villager's captured items, a simple radar helps keep track of characters off-screen, and a slow motion, zoom-in visual effect when critical hits connect make these moments more exciting to watch. Other changes help streamline the core multiplayer experience and add compelling options. Match rules can now be pre-defined with a swath of modifiers and saved for quick selection later. Stage selection occurs before character selection, so you can make more informed decisions on which fighter to use.

On top of a built-in tournament bracket mode, Ultimate also features a number of additional Smash styles. Super Sudden Death returns, as does Custom Smash, which allows you to create matches with wacky modifiers. Squad Strike is a personal favorite, which allows you to play 3v3 or 5v5 tag-team battles (think King of Fighters), and Smashdown is a great, engaging mode that makes the most of the game's large roster by disqualifying characters that have already been used as a series of matches continues, challenging your ability to do well with characters who you might not be familiar with.

The most significant addition to Ultimate, however, lies in its single-player content. Ultimate once again features a Classic Mode where each individual fighter has their own unique ladder of opponents to defeat, but the bigger deal is World of Light, Ultimate's surprisingly substantial RPG-style campaign. It's a convoluted setup--beginning as Kirby, you go on a long journey throughout a huge world map to rescue Smash's other fighters (who have incidentally been cloned in large numbers) from the big bad's control. Along the way, you'll do battles with Spirits, characters hailing from other video games that, while not directly engaging in combat, have taken control of clones, altered them in their images, and unleashed them on you.

Though there is some light puzzling, the world is naturally filled with hundreds upon hundreds of fights--there are over 1200 Spirit characters, and the vast majority have their own unique battle stages that use the game's match variables to represent their essence. The Goomba Spirit, for example, will put you up against an army of tiny Donkey Kongs. Meanwhile, the Excitebike Spirit might throw three Warios at you who only use their Side+B motorbike attacks.

It may seem like a tenuous idea at first, but these fights are incredibly entertaining. It's hard not to appreciate the creativity of using Smash's assets to represent a thousand different characters. Zero Suit Samus might stand in for a battle with The Boss from Metal Gear Solid 3: Snake Eater by donning a silver-palette costume and fighting you in a flower-filled Final Destination, but she also stands in for the spirit of Alexandra Roivas from Eternal Darkness by using a black-palette costume and fighting you in the haunted Luigi's Mansion stage, with a modifier that makes the screen occasionally flip upside down (Eternal Darkness was a GameCube horror game whose signature feature were "Sanity Effects", which skewed the game in spooky ways to represent the character's loosening grip on reality). If I knew the character, I often found myself thinking about how clever their Spirit battle was.

Defeating a Spirit will add it to your collection, and Spirits also act as World of Light's RPG system. There are two types of Spirit: Primary and Support. Primary Spirits have their own power number and can be leveled up through various means to help make your actual fighter stronger. Primary Spirits also have one of four associated classes, which determine combat effectiveness in a rock-scissors-paper-style system. These are both major considerations to take into account before a battle, and making sure you're not going into a fight at a massive disadvantage adds a nice dimension to the amusing unpredictability of this mode. What you also need to take into account are the modifiers that might be enabled on each stage, which is where Support Spirits come in. They can be attached to Primary Spirits in a limited quantity and can mitigate the effect of things like poisonous floors, pitch-black stages, or reversed controls, or they can simply buff certain attacks.

There are a few Spirit fights that can be frustrating, however. Stages that are a 1v4 pile-on are downright annoying, despite how well-equipped you might be, as are stages where you compete against powerful assist trophies. On the flip side, once you find yourself towards the end of the campaign, there are certain loadouts that can trivialize most stages, earning you victory in less than a second. Regardless, there's a compulsive quality to collecting Spirits, and not just because they might make you stronger. It's exciting to see which obscure character you run into next, feel validated for recognizing them, and see how the game interprets them in a Spirit battle. There's also just a superficial joy to collecting, say, the complete Elite Beat Agents cast (Osu! Takatae! Ouendan characters are here too), even though these trophies lack the frills of previous Smash games.

Some hubs in the World of Light map are also themed around certain games and bundle related Spirits together to great effect--Dracula's Castle from Castlevania, which changes the map into a 2D side-scroller, and the globe from Street Fighter II, complete with the iconic airplane noises, are personal standouts. Despite the dramatic overtones of World of Spirit's setup, the homages you find within it feel like a nice commemoration of the games and characters without feeling like a pandering nostalgia play. One of the most rewarding homages of all, however, lies in Ultimate's huge library of video game music. Over 800 tracks, which include originals as well as fantastic new arrangements, can all be set as stage soundtracks as well enjoyed through the game's music player.

There is one significant struggle that Ultimate comes up against, however, which lies in the nature of the console itself. Playing Super Smash Bros. Ultimate in the Switch's handheld mode is simply not a great experience. In situations where there are more than two characters on screen, the view of the action often becomes too wide, making the fighters too small to see properly, and it can be difficult to tell what you or your opponent is doing. The game's penchant for flashy special effects and busy, colorful stages doesn't help things at all, and unless you're playing a one-on-one match, you'll likely suffer some blameless losses. This is a situational disadvantage and may not affect all players, but it puts a damper on the idea of Smash on the go.

The need to unlock characters also has the potential to be an initial annoyance, especially if your goal is to jump straight into multiplayer and start learning one of the six brand-new characters. In my time with the game, I split my attention between playing World of Light (where rescuing characters unlocks them everywhere) and multiplayer matches, where the constant drip-feed of "New Challenger" unlock opportunities (which you can easily retry if you fail) came regularly. I naturally earned the entire roster in roughly 10 hours of playtime, but your mileage may vary.

Super Smash Bros. Ultimate also features online modes, but they were not active during Ultimate's pre-launch period. The game features skill-based matchmaking, private lobbies, and voice chat via Nintendo's smartphone app. It also features a system where defeating another player will earn you their personalized player tag, which can be used as a currency to unlock spirits, music, and costume items for Mii fighters. I'll begin testing these features once the service launches with the game's public release and will finalize the review score once I've had substantial time with the matchmaking experience.

Situational downers don't stop Super Smash Bros. Ultimate from shining as a flexible multiplayer game that can be as freewheeling or as firm as you want it to be. Its entertaining single-player content helps keep the game rich with interesting things to do, as well as bolstering its spirit of loving homage to the games that have graced Nintendo consoles. Ultimate's diverse content is compelling, its strong mechanics are refined, and the encompassing collection is simply superb.

Categories: Games

Mutant Year Zero: Road to Eden Review - Duck For Cover

Gamespot News Feed - Thu, 12/06/2018 - 03:00

Mutant Year Zero took me by surprise. When you tap the space bar to switch from the real-time exploration mode to the turn-based tactical mode, it's not considered activating combat. You're not entering into battle. The word “Fight!” doesn't leap out of the centre of the screen. Instead, the space bar is labeled “Ambush” and, while pressing it does indeed initiate a turn-based XCOM-style encounter, the semantics make all the difference.

Road to Eden is all about using stealth to thoroughly scout dangers ahead, then applying that knowledge to maneuver your squad into position for the perfect ambush. Do your research and plan well, and you can take out your target without them (or their cohorts) even realizing what has happened. Proceed without caution and you'll soon be bleeding out, your impatience severely punished. Approached properly, Mutant Year Zero isn't a difficult game; it’s a tight, cohesive tactical masterclass that rewards the diligent player.

Road to Eden depicts a post-apocalyptic Scandinavia where resources are scarce and knowledge of what the world used to be is even harder to come by. Stalkers are sent from the Ark, one of the few remaining hubs of human civilization, into the Zone to scavenge for scrap and fend off the bandits, ghouls, feral dogs and worse that now occupy the ruined towns and suburbs. Everyone, even those safe in the Ark, has been touched by mutation. But Dux and Bormin, the two starting playable stalkers, are different; they're mutated animals, a duck and a boar, respectively.

At first glance, there's a lot you can do to customize each stalker and gear them up to specialize in certain fields, letting you mix and match your active squad based on the task at hand. The limited number of weapons and sheer expense of upgrades means you're forced to make tough choices. Should you spend literally all your weapon parts on the close-quarters effectiveness of Bormin's scattergun, or are you better served improving the ranged potency of Dux's crossbow? You can only afford one right now and, since there's no capacity for grinding, it may be some time before you can afford the other.

Sometimes the decisions are easier. Up against robots? You'll want at least one stalker, probably two, with an effective EMP attack. Up against dogs? You'll want at least one stalker, probably two, with crowd control abilities to prevent their melee rush. If you've done your scouting properly, you'll know what's coming and know which stalkers to swap in and out before you tap that spacebar. But don't tap that spacebar just yet. You're not quite ready.

The Zone is divided into a couple dozen maps networked across southwest Sweden. They're not especially large--bigger than an XCOM map, but hardly sprawling--and typically centered on an identifiable feature: a scrapyard, a school, a subway station, a fast food restaurant, and so on. When you first enter an area you're in exploration mode and free to walk around in real time. When you spot an enemy you can enter stealth mode by switching off your flashlight, thus slightly reducing your visibility but also greatly reducing the distance at which the enemy will spot you. You're still moving around in real time, just slower and more discreetly.

The tension is ratcheted up during this pre-combat exploration phase, as you're tip-toeing into hostile territory, identifying how many enemies await you, what types they are, what levels they are, whether they're patrolling, where those patrol routes take them, where their vision cones intersect, and so on. You've noticed one enemy's patrol route takes him away from the others. You hit F to split up your party and guide them individually into position. Bormin has his back to a tree, Dux is on the roof of a nearby building, and Selma is crouched behind a rock at the end of the unsuspecting enemy's patrol route. He's there now. Time to hit the spacebar.

It's all about the ambush. It's about analyzing each scenario in the exploration phase and identifying which enemies you can eliminate, one by one, without alerting others. But pulling off a series of clean hits isn't always possible. Inevitably something will go wrong--you'll miss that 75% chance shot you were counting on or fail to do quite enough damage before the enemy gets its turn and calls out for reinforcements--and suddenly the whole area is on alert and you're scrambling to improvise a new plan. In these moments of high chaos, when the rug is pulled out from under you, this is where the game really shines.

The tactical combat engine borrows a lot from Firaxis' revival of XCOM and offers as much depth alongside a presentation that ensures all critical information is clearly communicated at all times. And you need to be well-informed, because most of the time--outside of the odd simple skirmish that introduces a new element--there's an awful lot to think about. Enemy variety is key; there are basic brutes who charge you in melee, snipers who hunker down on overwatch, shamen who can call in reinforcements, and medbots who can revive enemies, pyros who flush you out with molotovs, and that's just the early stages. Later, there are high-HP tanks who can ram your cover, priests who can buff fellow enemies or deliver chain lightning attacks, giant dogs who can knock you over and maul you for multiple turns, while others possess mind control powers and more. Tackling groups of enemies drawn from several of these types can be hugely challenging, even when you've culled their numbers with some decisive early stealth takedowns.

The stakes are high, especially on the harder difficulty settings. Your stalkers' health will be measured in single and low-double digits for much of the game, meaning it only takes a couple of direct hits to put them down. Similarly, your weapons can only fire once, twice, or if you're lucky, three times before you need to use up valuable action points to reload. These limited resources echo the post-apocalyptic themes of scarcity and survival while also raising moment-to-moment tactical considerations in combat.

Juggling all the demands of combat, from patiently surveying the field beforehand through to learning how to best counter each enemy type and improvising a new strategy when it all goes horribly wrong, make for an immensely satisfying tactical experience. But as enjoyable as the predefined encounters on offer over the course of Road to Eden's mostly linear story are, it's still a linear story. On a new playthrough, that same map will still feature the same enemies standing in the same spots or running the same patrol routes. Outside of testing yourself against the hardest difficulty and a permadeath mode (assuming you don't opt for these first time through) there's not a lot of replay value to be found.

It's a shame, because the combat engine is so robust I would love to continue pitting myself against some sort of randomly generated map long after completing the main story. Mutant Year Zero's clever focus on stealth and pre-combat preparation reward your diligence, its turn-based combat encounters are complex, and they help bolster its all-encompassing post-apocalyptic atmosphere. It is a superb tactical combat campaign that you shouldn't let sneak past.

Categories: Games

Just Cause 4 Review - Mildly Wild Ride

Gamespot News Feed - Wed, 12/05/2018 - 02:51

What's another oppressive dictatorship to series protagonist Rico Rodriguez? Not much. He does encounter a new kind of enemy in Just Cause 4, however: extreme weather. It's the common thread that runs through both the story and new mechanics and tops off the explosive spectacle the series is known for. And alongside new gadgets to send objects (and people) flying across the world, Just Cause has become a physics playground. Unfortunately, there just aren't enough opportunities to put these features to good use; underwhelming mission structure and a world slim on enticing activities makes Just Cause 4 a short-lived blast with untapped potential.

The best and most prevalent piece of Just Cause games is at the forefront once again. An exceptional traversal system lets you propel Rico across the beautiful landscapes of Solis and effortlessly soar through the skies. With the combo of a grappling hook, parachute, and wingsuit, Rico can basically go wherever, whenever (and often more efficiently) without a vehicle. Like past games, you build momentum and essentially catapult yourself using the combination of these tools and hardly ever have to touch the ground. It's tough to overstate how satisfying it is to escape enemy hordes and hook onto the underside of a helicopter to hijack it and tear them all down, or slingshot yourself out of harm's way toward the next target you'll blow to bits.

Rico isn't only built to move fast, however: if you aren't causing explosions on a regular basis, you might be doing something wrong. Fuel tanks, red barrels, and vehicles are unusually explosive, and set the stage for over-the-top action. Since the grappling hook can also be used to tether objects together, you have lots of opportunities to get creative outside of exhausting your arsenal of firearms--some of which have their own wacky practical applications, like the wind cannon or lightning gun. Some weapons just wreak havoc such as the railgun or burst-fire rocket launcher, and even modest small arms like the SMG have impactful alternate fire modes. This may be the expectation for Just Cause, but it still pulls you in for a wild ride.

It's tough to overstate how satisfying it is to escape enemy hordes and hook onto the underside of a helicopter to hijack it and tear them all down, or slingshot yourself out of harm's way toward the next target you'll blow to bits.

Its identity as a destructive playground is further emphasized by grappling hook mods, three of which you customize: air lifter, retractor, and boosters. All three devices coincide with the new physics engine. Air lifters (essentially mini hot air balloons) let you launch things into the sky, and they can be further customized in terms of velocity, behavior, and altitude. Retractors pull targets together violently, and boosters work like jet engines that'll send objects into a speeding frenzy, whether it be an attack helicopter or a poor enemy soldier. Multiple permutations of these contraptions are made possible, since their effects can be stacked into a single tether and three loadout settings let you switch between loadouts on the fly. These gadgets are unlocked through side activities, and you're given plenty of avenues to make them work as you desire, which leads to the most disappointing part. Just Cause 4 gives you so many shiny new toys to play with but seldom a reason to use them.

Mission structure is uninspired, as you are continually asked to escort NPCs, defend a specific object for a set duration, activate (or destroy) inconspicuous generators, or hit a number of console panels to activate some sort of process. The worst offender has to be the timed missions that ask you to sink bomb-rigged vehicles into the ocean; they're tedious and prone to mishaps at no fault of your own. These are tied to Region Strikes, which are required to unlock territories on the map and progress to main story missions. While blasting through waves of enemies and their military-grade vehicles offers some great moments, you're often asking yourself: okay, what else? Shielded heavies, snipers perched from a mile away, and flocks of attack helicopters can become enjoyably overwhelming, since you have to rapidly make use of your diverse toolset. But several missions are designed in such a way that's oddly restricting, limiting the game's strongest assets. Enemies simply swarm and act as basic obstacles rather than clever challenges, and that leaves you with objectives that rarely bring out the best in the mechanics and systems of Just Cause 4.

At a time when open-world games sometimes overstay their welcome, Just Cause 4 is at the other end of the spectrum, where you wish there was more to experience because it has so much going for it.

There are a few stellar moments in the main story missions that make proper use of the extreme weather system that is the core of Just Cause 4's premise. Specifically, the conclusion to a stormchaser-themed questline funnels you through a number of battles while a tornado rips through your surroundings. Your ability to parachute and glide are drastically affected by the wind velocity and turbulence, which throws some welcome unpredictability into the mix. One particular sequence is also indicative of what the grappling hook mods are capable of; destroying massive wind cannons that impede progress with boosters wasn't only the most efficient method, but watching these heaps of steel frantically spin out of control was a sight to behold. The last stand in this mission, a sequence of rooftop firefights amid the harsh weather, brings the many great pieces of the game together.

The same can't be said about the other extreme weather conditions, however. Sandstorms challenge you with violent winds and obscured vision, and thunderstorms bring torrential rain and lightning strikes that make for a visual treat. But they're not game-changing in the way tornadoes are since they have a minimal effect on gameplay. Even then, the questlines tied to these weather conditions and their respective biomes are over before you get to fully experience their unique qualities.

All the while, a vaguely coherent story about family and a rebellion against an evil regime serves as the platform for Rico's wild ride. Stories in Just Cause haven't been more than excuses for environmental destruction and a way to make you feel comically powerful, and the same holds true here, though you may find the ties to previous entries somewhat endearing. The harsh forecasts are justified by villain Oscar Espinoza's high-tech devices that control the weather and oppress the people of the fictional South American country Solis. Rico remains the plausible one-man army who has the capabilities of a superhero with the air of a grounded, unassuming protagonist. If there's anything that Just Cause does well story-wise, it's convincing you to accept the absurdity of it all.

Throughout the game, you'll be building a revolution across Solis, bolstering what's called the Army of Chaos. It's a fundamental piece to progression and the key to taking down Espinoza and toppling The Black Hand private military again. The Army of Chaos serves as a tool to controlling territories across the map since you need to accumulate squad reinforcements to overtake regions, which also gates your ability to take on story missions. Cause destruction and raise your chaos level, and get squads to progress. It boils down to a numbers game, and once you understand the structure of this system, you can easily snowball squad numbers and control all of Solis without having to grind your chaos level. Side activities from three minor characters litter the map as well; Sargento has you teaming with NPCs to destroy enemy infrastructure, Garland makes you do stunts, and Javi provides a bit more context to Solis by asking to do a few easy puzzles. It's more things to do, and they unlock the aforementioned grappling hook mods, but they're simple in nature and aren't enough to compensate for the shortcomings of other missions.

Just Cause 4 has incredible moments where beauty and destruction cross with Rico's ability to zip around the world at a moment's notice. It's gratifying and easy to grasp, especially when you're able to string a series of wingsuit fly-bys, vehicles hijackings, and fiery explosions all in the name of revolution, but those moments are either short-lived or tied to rudimentary missions. You're given an awesome toolset that paves the way for creativity in a world with too few problems to solve. At a time when open-world games sometimes overstay their welcome, Just Cause 4 is at the other end of the spectrum, where you wish there was more to experience because it has so much going for it.

Categories: Games

Resident Evil 2's Latest Demo Lets Us Dive Deep Into Claire And Leon's Campaigns

Game Informer News Feed - Tue, 12/04/2018 - 16:00

Though archaic now, there was a certain charm to survival horror on the PlayStation that has yet to be replicated in the exact same way despite massive technological advancements. Chalk it up to a young age and a lack of perspective, but nothing quite felt the same as stalking the halls of the Raccoon City Police Department in the cover of night looking for the right key to the wrong door. I went into the Resident Evil 2 remake looking to recapture that same feeling, but found that Capcom wasn’t trying to recreate a moment-in-time with the horror revival as much as they were trying to recontextualize it.

The Resident Evil 2 demo we played at Capcom’s offices puts us a little bit into both Leon and Claire’s campaigns going different directions. While Leon’s demo started with him opening the parking garage gate with Ada Wong, longtime Resident Evil femme fatale first introduced in the 1998 release, Claire’s demo starts with her getting separated from Sherry in the same parking garage. The two follow different paths for their entire demos, with Leon venturing into the city’s sewers and Claire running for her life in the police department.

Leon’s content was definitely the more linear of the two, sending him out into the city alongside Ada. While the rookie cop defends his circumstances to the trenchcoated woman, she deftly dodges all questions about her own past and what she’s doing in Raccoon City’s zombie apocalypse. The conversation boils over in Kendo’s Gun Shop, where the now fleshed-out owner asks the pair to leave after it’s clear Ada won’t explain anything, prompting Leon and Ada to head into the sewers in pursuit of scientist Annette Birkin, giving Leon his first clue into his partner’s motivations.

In the sewers, Leon ends up meeting with a giant alligator who isn’t very happy to see him. The mishaps continue until players can, for the first time in Resident Evil 2, take control of Ada. While the character has been playable in various Mercenaries modes and her own climactic chapter in Resident Evil 6, she brings new tools with her into this remake. Ada can scan walls using an X-ray gun that lets her see wires and remotely hack electronics from a distance, an important key to solving puzzles.

For Claire’s route, rather than exiting into the city, she enters into the Raccoon City Police department to find a way to follow Sherry Birkin. While her long-term goals of opening the parking garage gate are obvious, finding the circuitous ways to get there involves a lot of running around and creating short-term plans for where to go. There’s various rooms that need to be hit and puzzles that need to be solved.

You don’t have time to sit and wait around, as Mr. X is pursuing Claire through the department. He shoves aside a helicopter, prompting Claire to swear to herself, and stalks her as she desperately tries to solve puzzles. You can hear him stomping from rooms away, giving you a warning to run or find a save room to hide yourself, but fighting Mr. X only ends in delaying him slightly, with no chance of defeating him.


The game controls immaculately, but this doesn’t mean you will be shooting zombies down like this is Resident Evil 4. Ammo is still extremely limited and trying to kill every zombie will result in a smoking but empty clip sooner rather than later. One sequence with Ada puts her in a room with four or so zombies while she solves a puzzle. Trying to kill them all is theoretically doable but unlikely. Gathering them all in one spot and using a flash grenade to run past them to the goal is probably a much better use of your resources.

You can check out our New Gameplay Today for footage from the demo. Resident Evil 2 releases on January 25 for PlayStation 4, Xbox One, and PC.

Categories: Games

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Game Informer News Feed - Tue, 12/04/2018 - 15:39

Civilization VI's upcoming Gathering Storm expansion (February 14) features devastating environmental effects, but Maori legend Kupe – discoverer of New Zealand – finds a hospitable place to settle for his civilization.

Check out the expansion's new trailer detailing the Maori's advantages, from increased production, a unique building, and more.

For information on the Gathering Storm expansion as a whole, check out this previous preview.

Categories: Games

Big Bash Boom Review

Gamespot News Feed - Tue, 12/04/2018 - 04:00

The Big Bash League, or BBL, is cricket's answer to the ever-increasing pace of modern life; a 20-over-a-side slogfest where smashing the ball out of the park to the sound of fireworks and loud rock music takes the place of five-day-long tests of endurance and patience. Big Bash Boom takes this concept and smashes it into the arcade game-o-sphere by introducing nice-looking power-ups, unlockable customizations, and a streamlined approach to gameplay that speeds up the action, while leaning into a goofiness that cricket games rarely embrace. But with a litany of technical problems and no meaningful tutorial to help you work out the basics, Big Bash Boom feels like it needs more time in the practice nets.

Big Bash cricket is all about smashing the heck out of every ball and scoring as many runs as possible, and Big Bash Boom does a superb job of recreating the buzzing atmosphere you'll find at the ground during a BBL match, complete with wild crowds, fireworks displays, and unintentionally terrifying-looking mascots. You can pick any of the eight licensed teams from either the BBL or Women's BBL, taking them to glory in a casual match, full tournament, or online head-to-head.

When jumping straight into a casual match, you can customize match options, team lineups, and ball type, which includes a few fun varieties--pie, anyone? You're led out onto the pitch and greeted by real-world commentator Pete Lazer, though his occasionally charming reads come off as a series of one-liners instead of actual commentary, and they begin to grate after some repeats.

Out on the field is where Big Bash Boom shows off its main differences to past cricket games, including Ashes Cricket, which was by the same developer as Big Bash Boom. The action has been streamlined to cut out a lot of the dead air time that you tend to get at a cricket match, which gives the game its arcade feel. You're never asked to pick bowlers or select lineups. You can if you wish, but the game will otherwise make these calls to ensure a faster flow. The players all have NBA Jam-style big heads, which shows off the player likenesses in a way that's easy to appreciate. Faces are detailed, if a little robotic and expressionless, but the overall look works in context, especially combined with the great use of special effects to mark big shots.

Batting and bowling feel more pick-up-and-play than in any other cricket game; however, the lack of a meaningful tutorial means things that should be obvious knowledge, like what the changing cursor colour on the pitch means, remain a mystery until you just happen to work it out through the natural course of playing. But that aside, it's simple enough to get into a match and start slogging balls left and right, with timing and shot selection all coming into play. Time it perfectly, and you'll probably make it sail over the ropes, but get it wrong and you might pop the ball up for an easy catch or swing and miss entirely. Bowling is a touch more complicated, involving selecting a bowl type to start the run in and then keeping the cursor on the pitch in place while timing your release. It often feels like you're up against it as a bowler; there's little you can do to avoid being belted around the park apart from bowling the occasional short ball, and you're limited to performing only one of those per over. Getting belted around every ball takes some getting used to, but thankfully if you'd rather spare yourself the embarrassment, you can always simulate the innings.

The inclusion of power-ups for batters and bowlers help pump up the excitement of a match, and you can activate these after filling a special meter by hitting runs and boundaries as a batter, or dot balls and wickets as a bowler. Each exhibits some excellent-looking animations and special effects, and you'll get some extra power for the next few balls. Bowlers can bowl twice as fast, fielders are able to run at double their speed, and batters can force slower throws from the outfield or hit twice as hard, sending loose balls into the stratosphere. It's immensely satisfying.

Everything you do in a match will earn you coins that you can put towards buying new in-match celebrations, which you're prompted to perform after hitting a big six or taking a wicket. While it's somewhat satisfying to rub it in your opponent's face, the lack of gameplay benefits makes showboating feel a little arbitrary. You can also purchase cosmetic customizations like new hats and helmets, but that's as far as personalization goes; disappointingly, there's no player or team editor.

Beyond the excellent special moves and vibrant aesthetic, the rest of the game struggles to hide its seams, most notably when it comes to animations. Fielders will move about awkwardly when chasing the ball before settling and sending in the return throw, while batters often warp into place before setting off for a run. There are also some more obtrusive bugs that, when they hit, can change the outcome of a match. A few times I was called out for a catch on one side of the field when the camera made it look like the ball had gone in the opposite direction. I've also had catches made in the outfield seem as though they don't count, with my player harmlessly throwing the ball back to the keeper as though nothing happened--something that can be immensely frustrating.

Big Bash Boom's potential is clear. Despite its singular focus making it feel a little barebones when compared to other cricket titles, the shift towards arcade gameplay feels perfectly suited to the relatively flamboyant presentation of the BBL. But it's washed with bugs that affect the core of the experience, and those technical issues make it difficult to warm up to.

Categories: Games

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Game Informer News Feed - Mon, 12/03/2018 - 14:35

This week mark's the opening salvo of Battlefield V's Tides of War live service campaign. Called Overture, the first chapter has a few notable components. The new single-player war story mission, The Last Tiger, centers on a German tank driver facing bad odds when the Yanks roll into Nazi territory. On the multiplayer side, tank drivers can look forward to the vehicle-focused map called Panzerstorm, which is set in the open fields of Belgium.  Overture also includes a practice range so you can test out weapons/vehicles and delivers a slew of new assignments, weapons, and cosmetics to unlock. This includes vehicle customization, which was conspicuously missing from the game at launch.  

The content drop comes alongside an update that fixes some issues players found in the early weeks of action. Medics will benefit from a buff to SMGs that make them more effective at range, and DICE plans to involve the community to find the sweet spot in the time-to-kill/time-to-death debate

You can dive into the Tides of War content Tuesday, December 4 on all platforms.

Categories: Games

Five Reasons We're Excited For Mechwarrior 5: Mercenaries

Game Informer News Feed - Sat, 12/01/2018 - 23:00

MechWarrior was the first notable gaming franchise to let players pilot a giant robot capable of wreaking all sorts of havoc. An off-shoot of the popular Battletech universe, Mechwarrior has a surprisingly long, twisty history of IP rights being traded back and forth between companies. This has resulted in long delays between entries as well as an MMO set in the series' universe: MechWarrior Online.

While MechWarrior Online has turned into a well-received game due to continual support after a rocky launch, fans of the series have yearned for another strong single-player showing for more nearly two decades now.  Revealed back in 2016, developer Piranha Games (who also developed MechWarrior Online) have promised that Mechwarrior 5 will be just that : a return to fiery, mech-driven glory. However, the world has changed since Mechwarrior stomped its footprint into gaming's landscape back in the 90s. With the likes of Titanfall, Steel Battalion, Hawken, Armored Core, Into The Breach, and numerous other mecha-inspired games, the seminal series finds itself with a new challenge: having to stand out amongst the crowd. Luckily, the demo we got to play at this year's Mech_Con demonstrates that Piranha Games has something noteworthy on the horizon with Mechwarrior 5.  

Here are five reasons to be excited about MechWarrior 5: Mercenaries.

The Story Is Promising
A problem you run into with games that have a rich lore like Battletech and Warhammer is that they can often be unkind to new players unfamiliar with that history. Luckily, MechWarrior 5 is a game that casual players can jump into without any familiarity with the universe thanks to a simple setup: you're a young pilot who's been orphaned by one of the factions in MechWarrior's universe. Your job is to build a band of mercenaries to make your living in the war-torn setting of backwater planets and get revenge. The story is direct, with a lot of potential to dive into the cost of war, trauma, technology's horrific effect on warfare. Or, y'know, it could just be a well-written direct revenge yarn. Either way, the easing into the universe will doubtlessly be appreciated by newcomers.

The Combat Is Challenging And Fun
If you haven't played MechWarrior before, you might look at a screenshot of the game and understandably mistake it for a Titanfall-like experience. However, MechWarrior's brand of action has always been more tactical, with a focus on exaggerated realism. Your mechs are not swift and nimble. Instead these machines operate more like tanks, hulking and slow, with each footstep echoing throughout the cockpit and brushes of your mech against buildings capable of leveling entire structures. It's all meant to help you immerse yourself in the fantasy of piloting a massive war machine and it does a fine job accomplishing that.

Combat itself strikes a balance between standard first-person shooter action and simulator warfare. You'll often be fighting in open spaces, like countrysides or cities, having to switch between the various weapons in your loadout. During our demo, I had access to lasers, miniguns, a powerful cannon that was essentially the mech's sniper rifle, and a barrage of missiles. Learning the ins and outs of your weaponry is important because you have a heating meter that can cause your mech to briefly shutdown if you use too many high temperature weapons at once, leaving you vulnerable to attacks. This means you have to master a sort rhythmic battle, with High Temp (laser) following Low Temp (minigun) while also figuring out where to aim on your opponent's mech.

Do you want to take your foe out immediately? Go for the cockpit or the legs. Is their laser doing too much damage to you? Focus fire on their arm to blow it off. Keep in mind there a repercussions for dismembering your opponents, with the salvage of your enemy mech being worth far less on the market if you take to destroying the valuable weapons and limbs on them.

The moment-by-moment combat is exciting and every decision you make not only affects how the battle unfolds but the metagame as well, which is satisfying in a different way.

There's A Lot Of XCOM's Influence Here
MechWarrior 5 is basically two games in one. When you're not taking up arms for settlers on remote planets, fulfilling contracts to get paid, you'll be raising your own band of mercenaries and manipulating the market to your outfit's advantage, recruiting mercenaries and buying mechs with the salvage you sell after battles. You're not alone in MechWarrior 5, with three other mechs able to join you on missions for you to issue simple commands to (like Attack Enemy). The pilots for these mechs have an RPG-lite system attached to them. The more they fight, the more experienced they become in battle, with experimenting with certain weapons making them more efficient with those weapons. You'll need to diversify your stable of pilots to help you have a loadout for every occasion. For example, you wouldn't want pilot that has no experience with laser weapons, load their mech with lasers, on a lava-based world because they would overheat their mech all the time.

Like XCOM, pilots can also die. Permanently. You'll have an endless supply of fodder soldiers to restart from the ground up when you lose people, so it's not the end of the world, but it's still devastating to lose a character you've put so much time into. While Piranha Games currently has no modifier conditions that stick with the soldiers for a substantial amount of time (like PTSD affecting performance), the developer has said that such a system could be a possibility for the final release. 

Riding Into Hell With A Buddy
If you want to play with a squad that's a little less predictable than the serviceable A.I., you can play every mission with up to three friends. We played a round of co-op and it was a blast, with a team of player-controlled mechs absolutely destroying the enemy forces much faster one player plus three A.I. partners. Be warned: if your friend dies in a game, the pilot they're controlling is gone for good from your stable.

That's A Lot Of Mech
Piranha Games is striving to make MechWarrior 5 a big game filled with things to do. Though the developer admits the time is flexible, depending on what side contracts the player pursues as well as their skill level, "40-50 hours" was bandied about in our Q&A sessions for a complete playthrough. Considering that you can play through the game with a band of buddies, this could give MechWarrior 5 the same sort of appeal that Borderlands 2 and Ghost Recon: Wildlands have: beefy multiplayer experiences capable of pulling in both casual and hardcore gamers who are looking for a title to play with their friends regularly. With tons of missions to take on and mechs to collect through the market (and battle), there's also just a lot of fodder here for completionists too.

We'll have more on MechWarrior 5 later today as Mech_Con continues to rage on in Vancouver.

Categories: Games

Cosmic Top Secret Review - Declassified

Gamespot News Feed - Fri, 11/30/2018 - 22:01

There's a particular milestone of growing up that goes relatively unexamined as far as shared experiences go, and that is the moment you realize your parents had deep inner lives of their own before you were born. That's true for Cosmic Top Secret's writer/director/protagonist Trine Laier, whose parents are hiding one of the coolest secrets imaginable, and yet that palpable sense of a once-impenetrable boundary having been crossed between them is still huge. Cosmic Top Secret trying to translate those feelings into a video game makes it remarkable. Ironically, what stops it from being brilliant is that it's not very good at being an engaging video game.

The game's title refers to an actual security designation within the Danish equivalent of the Department of Defense, which, unbeknownst to Trine until her late 30s, was the security level both her parents held while working there on a classified spy project during the most tense years of the Cold War. Determined to get the full details, Trine ropes both her parents into doing interviews for a documentary on their lives. The project runs into major snags since neither of her parents know if their work is declassified, even after Trine actually gives the Department of Defense a call and has a high-ranking official essentially debrief them on what's safe.

Cosmic Top Secret is a series of five relatively self-contained open worlds, all relating to a specific point in Trine's time trying to squeeze what she can from her parents. It all takes place in a papercraft, pop-up-book representation of her journey; imagine the living papier-mache world of Media Molecule's Tearaway, except crafted by 50 years of shredded classified documents, and you have an idea of what Cosmic Top Secret feels like.

From marching alongside her mother at a military base to going orienteering--a sort of free-form competitive hike--with her father in a local forest, everything takes on a sort of twisted, mesmerizing magic. That abstract interpretation includes the paper doll avatars of Trine, her parents, and all their former colleagues, rendered as googly-eyed exaggerations that shift, change, break, and rip along with whatever their current mental and physical status is. While in real life Trine's father injured his shoulder while orienteering, his paper doll self in-game gets its arm torn off, and you have to find it. Trine being reminded of a specific family tragedy might cause her doll version to fall apart entirely, meaning you have to put her back together again to finish the conversation. It's a sort of emotional sleight-of-hand that could only have been executed in games, trying to inhabit a documentarian's feelings and internal dialogue. It's a magic trick not every game--even the ones specifically aiming to evoke emotions from the player--pull off as successfully as Cosmic Top Secret does.

All the while, Trine herself must explore each environment, sifting through the chaos of years of espionage history for the clues to lead her closer to the truth. The process had to take months of looking through filing cabinets in real life, but the game portrays it as a huge collect-a-thon of Trine running around the open world. Everything is clearly marked on the map, which is conveniently laid out like an alphanumeric grid, and there's no puzzle so difficult that it'd require consulting a wiki. There's just so much of it, and it's not until you pick something up that you know whether the item will actually unlock the next snippet of story or not. Thankfully, every single item in the game unlocks a piece of obscure history (like the secret operation to steal a sample of former Russian president Nikita Khrushchev's feces), a fascinating anecdote (a man imprisoned for years for taking the wrong pictures in Poland), or a video clip of the real-life interviews Trine conducted with her parents.

Had Cosmic Top Secret been a documentary, this is the kind of meticulous detail she'd have to leave on the cutting room floor. As sheer experience in the realm of gaming, it's all contextual gold, giving you an extensive picture of not just Trine's parents as people but the world they operated in--even as they try to keep Trine at arm's length from it.

The caginess has a universal feel to it. Many parents talk to their kids as kids for so long, transitioning to talking to them like adults can be difficult. Trine's parents are so used to talking around their work in the name of national security, they actually don't even remember how to talk about it. Much of the actual story structure of the game is about Trine finding her parents at just the right moment or coming at a question at just the right angle to get them to open up. What they reveal isn't necessarily the stuff they make award-winning cable shows about--no, they didn't assassinate anybody or anything like that--but it does tell quite a bit about the kinds of people her parents were, how that knowledge relates to her and how that changes how she sees her parents.

In trying to relate to her parents lives as agents of the state, Trine has to come to grips with the fact that her parents were not just her parents and not just spies, but grown adults with their own regrets and secrets and feelings. Many of them come from when they were younger than Trine was when she made the game. She speaks to former colleagues who had never met her but knew her parents as friends or by reputation, maybe the first times Trine hears her parents spoken of in such a way.

One of the big revelations that stops the investigation in its tracks a moment is Trine's mother remembers her first husband, who died young, and whose best friend became her second husband and, eventually, Trine's father. By her admission, Trine doesn't think about it much because it breaks her heart, but her mother tosses the matter out as mere trivia, a fact of life she's long come to terms with. The game is full of these tiny moments of reckoning for Trine, and these are the times when the game transcends being a simple mystery into a story of poignance. In a documentary, those thoughts and feelings would be essentially carried by narration, dialogue and candid moments surreptitiously caught by an intrepid cameraperson. Cosmic Top Secret, however, is less about saying how Trine feels--or even about showing it--and more about thoroughly immersing the player in a vast, interpretive world of her feelings about it.

Cosmic Top Secret's very existence and ethos makes it special in the realm of gaming.

The trouble comes while navigating through Trine's feelings on everything, and unfortunately, that's not a metaphor. You move in Cosmic Top Secret by moving your mouse over Trine, which crumples her up into a tiny ball of trash you can roll around a stage. It's extremely easy to lose control and send the ball flying off into corners, and you're unable to reel the ball back and stop, turn on a dime, or even just roll straight--which you need to do far too often and far too precisely to be enjoyable. Later, one of the middle stages has Trine turning into a paper airplane that has the reverse problem, where the controls barely respond to the degree you need to land on the very small platforms you're guided to. Combine those problems with a finicky camera that actively limits your rotation until Trine turns around, and for large chunks of the game, you're stalled not because you're reading about fascinating history but because you're trying to wrestle the game's controls into submission. There's this concept that a game that's primarily about exploration needs some sort of challenging gameplay element to be considered a "real game," and seeing Cosmic Top Secret trip over its own feet for the sake of adding that extra challenge should put that argument to bed once and for all.

Cosmic Top Secret's very existence and ethos makes it special in the realm of gaming. It's conceptually brilliant and heartwarming. Arguably, it's still worth fighting the game's mechanics just because Trine--and you, by proxy--deserves to know the truth and hear every angle of these peoples' captivating story firsthand. Trine started her journey with curiosity and finds herself closer to the people who raised her than ever, while also giving them the ultimate familial gift: a literal living history of their youth, and their work for the greater good, through the fantastical, imaginative eye of their clearly talented, inquisitive daughter. But there's a barrier to entry here, and it has nothing to do with the embarrassment of asking a parent what they were like when they were younger or their hesitation with the truth, and everything to do with the aggravation of even exploring the world in which their story is told.

Categories: Games

Dark Pictures: Man Of Medan Gets A New Dev Diary Detailing Visual And Audio Design

Game Informer News Feed - Thu, 11/29/2018 - 01:55

Man of Medan, the first game in Supermassive's Dark Pictures Anthology, is still a bit of a question mark. While the game seems to take after Supermassive's criminally underrated Until Dawn, more information would definitely help bolster our excitement for the title. Thankfully, the developer and Bandai Namco are answering that request with a series of dev diaries.

The first dev diary focuses on the sound work in the game, arguably one of the most important parts of making a horror game. To get the sights and sounds of an old steel ship right, the team actually got the run of a real one and recorded all the various sounds they could amass.

The video also goes on to talk about the lighting in the game, trying to make sense of how to navigate the game world while both keeping it spookyand playable. Thus the team based lighting off occasional in-room light sources and light coming down in shafts through openings in the ceiling.

Man of Medan is scheduled for release in 2019 on PlayStation 4, Xbox One, and PC.

Categories: Games

Meet Mutant Year Zero: Road to Eden's Foxy New Hero

Game Informer News Feed - Wed, 11/28/2018 - 17:00

The Bearded Ladies just showed off a new recruitable character to its tactical adventure game Mutant Year Zero: Road to Eden. Farrow is a humanoid fox and combat-ready Stalker who can use her signature ability, Silent Assassin, to double her critical strike chance while hidden.

Players will encounter Farrow in the Metal Fields. This stealthy fox makes for a great assassin, but she has no memory of her origins and had no idea that anything other than her settlement existed until she meets your crew in Road to Eden. 

Mutant Year Zero: Road to Eden lets players choose from a number of mutations split into three categories: Passive, Minor, and Major. While Farrow has several options, you can only equip one from each category. Her mutations  include:

  • Passive
    • Super Tendons: Move and sprint to high places without a ladder.
    • Silent Assassin: Do great damage while in hiding.
  • Minor
    • Circuit Breaker: Identify and disable a mechanical enemy's critical functioning parts for 1 turn.
    • Sneak: Pass others unnoticed.
    • Gunslinger: Shoot multiple targets at once using only 1 AP.
  • Major
    • Corpse Eater: Eat fresh raw meat to replenish your health.
    • Moth Wings: Grow wings on your back to move vertically and hover in position.
    • Frog legs: Perform super-mutant leaps and cover long distances. 

Farrow also has passive stat boosts that will upgrade her chance of inflicting critical damage and increase her maximum health. 

You'll be able to try out the vulpine recruit when Mutant Year Zero: Road to Eden comes to PlayStation 4, Xbox One, and PC on December 4.  You can see the game in action in the 35-minute developer walk-through video here

Categories: Games